I have chosen two films that I hope will forge a good foundation for the arguments in this forthcoming essay.
Firstly I'm going to look at a film that can be viewed as one of the original productions to come out of the early German horror genre, Stellan Rye's "The Student of Prague" directed in 1913 and then secondly to build on the arguments raised in my essay I will look at "The Cabinet of Dr. Caligari" Directed in 1919 by Robert Wiene.
I will make reference to a spectrum of resources that I think will add sustenance and ultimately be supportive to this essay.
To successfully produce an essay in relation to the German peoples ideologies and the nations social condition in the time of the production of these films we need to view the events within the nation that my have inspired Germany into this revolutionary expressionist movement in cinema.
During the early 19th century Germany was in a severely bad social, political and economic position after the nation catastrophic defeat in World War 1.
From this period up until the Nazi rise to power in 1933, Germany saw her film industry soar to a position of international fame leaving its world reputation and critical admiration standing second only to Hollywood, one critic gave a huge acclamation to the movement by saying, "it was the first significant attempt at the expression of a creative mind in the medium of cinematography "
This dramatic development in Germanys National cinema was as unexpected as it was exceptional as it seemed to thrive through a period of adversity and hardship to produce truly inspirational films such as The Student of Prague, Dr Caligari and Metropolis to name but a few.
Films like these achieved something truly unique among any other...