Angela Carter was writing in the 1970's during a wave of feminism and this influence in seen in her take on fairytales in the Bloody Chamber. Her messages about the society are often subtle, critical and cynical, she combines the realistic and the fantastic to create 'magic realism' The stories of the heroines combined with the magical approach of the fairytale brings the issue of gender roles to a brilliant intensity. Her stories challenge conventions of society, of gender and of the fairytale itself. Examining and comparing the original stories of Lang's Red Riding Hood and Grimm's Red Cap to the story of the company of wolves reveals Carters message.
In the original versions of Little Red Riding Hood cited in the blue fairy book by Andrew Lang and The Complete Fairytales by brothers Grimm, we witness the story of a 'little country girl' who was the 'prettiest creature ever seen', and 'whoever laid eyes upon her could not help but love her' The little girl is told by her mother to take some treats to her sickly grandmother and the little girl sets out to the next village.
Carters Company of Wolves we see a more detailed description of the girl, Carter describes her physically; "Her breasts have just begun to swell, her hair like lint" she describes her biologically; 'just started her woman's bleeding' and describes her in a sexualised aspect; detailing her virginity with numerous metaphors painting the picture vividly for the reader; 'unbroken egg/sealed vessel' Like the original she is told to take some baked treats to her grandmother.
In Lang and Grimm's version along the way she encounters a wolf who asks her where she is going and tells him of her journey to her sick grandmother in the next village and the wolf challenges...