An Oppressionist Impression
"You are dead to me dead to christ!" In the following paragraphs, violence and oppression in Ch. 5 will discussed and analyzed through examination of Richard Wright's --author of "Black Boy" (1945)--use of diction, tone, and metaphors. Were people of his time to read this book it's probable that would understand, wheather they agree with the author's point of view or not, the amount of violence and oppression witnessed by a boy his age. Richard Wright, through the the use of the words his senses produced, brought his past into light for the children of the future. He allows his readers to feel as he did under the light of strong persecution with the use of an intimidating, heartfelt tone.
"The cosmic images of dread were gone and the external world became a eality, quivering daily before me. Instead of brooding and trying foolishly to pray, I could run and toam, mingle with the boys and girls, feel at home with people, share a little of life in common with others, satisfy my hunger to be and live."
Wright fills the chapter with a calm and mesmorizing tone; like that of a preecher drawing his audience into a hymm. Omisdt violence, under anger and fear, Wright converses with the reader as though he were a youth leader telling a story to a group of boyscouts outside by a campfire. His spellbounding words chant the reader into his world and produce a map through which the reader follows his life in the shadows of others. " I mingled with the boys, hoping to pass unnoticed , but knowing that sooner or later I would be spotted for a newcomer. And trouble came quickly- a bloabk boy came bounding past me, thumping my hat to...