In a time when so few motion pictures leave an impact, Fight Club refuses to be ignored or dismissed. The experience lingers, demanding to be pondered and considered, and, unlike most of the modern-day thrillers, there is a great deal here to think about and argue over. Fight Club presents an overload of thought-provoking material that works on so many levels as to offer grist for the mills of thousands of reviews, feature articles, and post-screening conversations.
Pre-release interest in Fight Club was understandably high, primarily because of those involved with the project. Jim Uhls' script is based on an influential novel by Chuck Palahniuk.
The lead actor is the ever-popular Brad Pitt, who makes his strongest bid to date to shed his pretty boy image and don the mantle of a serious thespian. Those dubious about Pitt's ability to pull this off in the wake of his attempts in movies such as Seven Years In Tibet and Meet Joe Black will suffer a change of heart after seeing this film.
Pitt's male co-star and the protagonist, Ed Norton, is widely recognized as one of the most intelligent and versatile performers of his generation. Furthermore, Fight Club's director, David Fincher, has already made a huge impression on movie-goers with only three movies to his credit: Alien 3, Seven (starring Pitt), and The Game.
The film begins by introducing us to our narrator and the protagonist, Jack, who is brilliantly portrayed by Norton. In Fight Club, the actor fits perfectly into the part of a cynical but mild-mannered employee of a major automobile manufacturer who is suffering from a bout of insomnia. When he visits his doctor for a remedy, the disinterested physician tells him to stop whining and visit a support group for testicular cancer survivors if he...