INRTOA playwright, poet, and director who became the major German dramatist of the 20th century, Bertolt Brecht developed what became known as epic, or nondramatic, theater. In Brecht's view drama should not imitate reality, or seek to convince audiences that what they are watching is actually occurring, but should mimic the epic poet's art and simply present an account of past events. His theory is expounded in A Little Organum for the Theater (1948). A Marxist after the late 1920s, Brecht viewed mankind as victims of capitalist greed, but his skill as a playwright produced characters of unusual depth and dimension.
Eugen Berthold Friedrich Brecht was born in Augsburg, Germany, on Feb. 10, 1898. Brecht entered the University of Munich as a medical student in 1917, but he had more interest in literature and drama than in medicine. Called into the German army, he served in a military hospital during the last year of World War I and became a pacifist.
His first play, Baal, was completed in 1918. His second play, Spartakus (renamed Drums in the Night), brought Brecht immediate recognition when it was first performed in 1922, and he was awarded the Kleist prize as the most promising young playwright of the year. In Berlin in the mid-1920s, Brecht worked briefly under Max Reinhardt at the German Theater. Works of this period were the play A Man's a Man (1926) and several operas with music by Kurt WeillÃÂincluding The Threepenny Opera (1928), perhaps Brecht's best-known work, and The Rise and Fall of the City of Mahagonny (1930).
Fleeing Nazi Germany in 1933, Brecht lived in exile in Denmark for six years, Sweden and Finland briefly, and the United States from 1941 to 1947. Among the best-known plays from this period were Mother Courage and Her Children (1941), The...