An argument to support the view that "everything about the play [King Lear] hangs on the first two scenes not just the plot but the values as well."

Essay by FlithMUniversity, Bachelor'sA-, February 1997

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An argument to support the view that 'everything

about the play [King Lear] hangs on the first two scenes not

just the plot but the values as well.'

'King Lear, as I see it, confronts the perplexity and mystery of human

action.' (Shakespeare's Middle Tragedies, 169) As the previous quotation

from the scriptures of Maynard Mack implies, King Lear is a very complex

and intricate play which happens to be surrounded by a lot of debate. 'The

folio of 1623, which was, as is well known, edited by two of Shakespeare's

fellow actors' (Notes and Essays on Shakespeare, 242), contains not only

historical errors, but errors which pertain to certain characters speaking other

characters lines. Amidst all the controversy one fact can be settled upon by

all; King Lear is one of Shakespeare's best tragedies. While being a great

play, the bulk of the plot in King Lear comes mainly from the first two scenes

where most of the key events happen.

Along with the plot there is also

extensive amounts of setup that occur within the dialogue which key the

audience in on the morals and values of the characters. Marilyn French is

completely accurate when she states that 'Everything about the play hangs on

the first two scenes not just the plot but the values as well' (Shakespeare's

Division of Experience, 226).

The opening scenes of King Lear do an immaculate job of setting up

the plot and forming the basis for all the events which occur in the later

scenes of the play. 'The elements of that opening scene are worth pausing

over, because they seem to have been selected to bring before us precisely

such an impression of unpredictable effects lying coiled and waiting in an

apparently innocuous posture of affairs.' (Shakespeare's...