Hausarbeit:
Learôs Shadow.
The Omnipresence of Foolishness
and the Thin Line between Foolishness and Kingship
in Shakespeareôs King Lear.
"Ask him his purposes, why he appears upon this call oôthôtrumpet."
Contents
Introduction Page 2
The Fool Outside 3
The Omnipresence of Foolishness 7
1. The Centrality of Marginality 7
2. The Mask of Folly 9
Learôs Shadow 12
1. Type and Anti-type 12
2. The Loyal Fool 14
3. The Royal Fool 16
The Bitter Fool and the Cassandra Tragedy 18
Bibliography 21
"O that I were a fool! I am ambitious for a motley coat [...] I must have liberty withal, as large a charter as the wind, to blow on who I please, for so fools have"
"[Der Narr] war eine wandelnde Warnung und erinnerte seinen Herrscher daran, wie klein die Spanne zwischen dem mächtigen König und dem verlachten Toren war."
Introduction
The Fool in William Shakespeareôs King Lear - strange and nameless as a character, without fundamental dramatical indispensability as a figure, and seemingly without any tragical qualities as a jester.
And though, with all that he seems to lack if taken by his face value, Learôs Fool plays a significant part in the tragedy. "Does Shakespeare violate the canon of decorum or seemliness when he introduces the Fool as companion to the King?" Is a fool in the right place when set into a tragedy, and is Learôs Fool an adequate "companion", or is he more than just that? Then what is his relationship to his master like? What is the Foolôs function in the play, be it on the dramatical level or the symbolical?
Within this paper, I will try and find some possible and plausible, though certainly not final answers to the questions above. Therefore, I will firstly explain the Foolôs general...