A major theme in the play is the relationship between parents and children, with the play centred round the eponymous main character revenging the death of his father. We see filial interactions constantly: Old Hamlet and Young Hamlet, Old Fortinbras and Young Fortinbras, Polonius and Laertes, and Claudius and Hamlet. Young Hamlet seems to idolise his father, calling him a ÃÂHyperionÃÂ, and his devotion shows that he clearly loved him. Although Old Hamlet does not appear in the play, there is interaction between Hamlet and his fatherÃÂs ghost. The ghost gives Hamlet a battery of double messages, calling murder ÃÂmost foul, strange and unnaturalÃÂ, but asks the Prince to commit the same crime. This spirit can only be seen as an apparition, and nothing more, and is used effectively by Shakespeare to create an atmosphere of dread and unease.
The relationship between Hamlet and his uncle, Claudius, is evidently tense, with Gertrude attempting to bridge the gap.
Hamlet is witty and regularly mocks Claudius in little asides: ÃÂA little more than kin, and less than kind.ÃÂ Hamlet shows his high regard for his father by using epic terms to describe him: ÃÂexcellentÃÂ, ÃÂHyperion to SatyrÃÂ and ÃÂthat he might not beteem the winds of heavenÃÂ ÃÂ In Act I scene 2, the audience sees ClaudiusÃÂs mock parental concerns for Hamlet. He publicly scolds Hamlet, accusing him of ÃÂimpious stubbornnessÃÂ as well as conveying his generous side by granting Laertes leave: ÃÂtake thy fair hour Laertes, time be thine.ÃÂ It is clear that ClaudiusÃÂs confident speech, although spoken to Laertes, is meant for HamletÃÂs ears. Claudius is a dangerous man, even more so when you think you have the measure of him. He is supremely talented, and acts incredibly well, convincing everyone of his sincerity, calling Hamlet ÃÂcousin, and...